Working Class Creative Exchange Guide
Schedule
6–8.30pm (the Social): Stalls, badge-making workshop and mentoring sign-up desk open
6:20–6:30pm (the Social stage): Welcome speech from the Class and Social Mobility working group
6.30–6.45pm (the Social stage): Clog dancing performance with Jennifer Reid
6.30–8.30pm (the Lab): Mentoring Sessions
6.45–8pm (the Social stage): Interactive panel
8–9pm (the Social stage): loney DJ
PANELLISTS (6.45-8pm, the Social stage)
An open discussion on working class experiences in the creative industries with opportunities for questions and input from the audience.
Amie Kirby
Young Trustee of Arts Emergency and Project Manager of The Working Class Movement Library’s Big Flame Project. Founder of Breeze Frame Film Club, Cultural Enrichment Programme Coordinator at Venture Arts and Founder of the Crip Culture Collective.
Paddy Nicholls (Host)
Filmmaker and Factory International’s Neighbourhood Organiser for Moston
Dawn Walters
Executive Support at Factory International, Chair of Hot Bed Press, Book Artist, creative facilitator, organiser and mentor. Ex-member of People’s Forum and Factory Assembly for Factory International. Worked for many years with charitable and arts organisations collaborating to organise events, public relations and develop community engagement.
Jake Talbot
Playwright, Actor and Co-Artistic Director of Dare to Know Theatre. Dare to Know Theatre has just been classed as one of Oldham’s Cultural Assets in the GMCA creative cultural sector plan.
MENTORS (6.30–8:30pm, the Lab)
Fifteen-minute one-to-one mentoring sessions can be booked at the desk stationed outside the Lab from 6pm on the night. The slots will be first come first served.
Sarah Hardacre
Job Role: Visual Artist, Printmaker, Cultural Producer & Freelance Project Manager
My visual arts practice in collage and print explores the experience of women within the urban built environment and the complex relationship between female bodies, architecture and space. And my public commissions extend to co-curated performances, community driven projects and large-scale installations which investigate the socio-historical stories of place. Both strands of my practice practice are motivated and informed by my working-class northern identity, and by the multifaceted social, civic and political histories that make up that context.
Areas of Knowledge:
- Visual Art: I've been a practicing artist for over a decade with gallery representation and international exhibiting experience.
- Cultural Production: I've worked on large scale events for organisations across the North West producing outdoor art and performance events.
Low Kee Hong
Job Role: Creative Director at Factory International
Kee Hong oversees the Curatorial team at Factory International and alongside John McGrath, develops the artistic programme for Factory International and leads on the programme for Manchester International Festival 2025 onwards. Kee Hong oversees the Public Engagement team, leading transformative programs that connect with communities and organisations across Greater Manchester and the North. This includes Artist Development, supporting local talent to reach international audiences, and managing Factory Academy, which offers training for careers in the arts and creative industries, particularly for those facing economic and cultural barriers. Kee Hong also manages the International department, collaborating with global cultural organisations, whose financial and creative input helps to make MIF and Factory International projects possible, and helps to ensure that projects made in Manchester are seen worldwide.
John McGrath
Job Role: Artistic Director and Chief Executive of Factory International
Before opening Aviva Studios in October 2023, John curated four editions of Manchester International Festival, featuring new work by an international range of artists including Yoko Ono, Philip Glass, Skepta, Ibrahim Mahama, Tania Bruguera and many more. Prior to this role, John was the founding Artistic Director of National Theatre Wales, where he directed work including The Radicalisation of Bradley Manning, and produced shows such as The Passion of Port Talbot and Coroilan/us. He has also led Manchester’s Contact Theatre, and was Associate Director at Mabou Mines in New York. He has a PhD from New York University and an honorary doctorate from the Open University, and has published widely in the field of cultural theory.
Stefanie Reynolds
Job Role: Writer for theatre and film, anti-racist educational worker
Areas of Knowledge: Creative arts, community and charity work
Chloe de Lullington
Job Role: Marketing content writer / novelist
In my day job, I tell customer success stories for a tech brand in their marketing department. In my writing life, I write contemporary queer working class fiction about bad decisions and intersectional identities.
Kaiden Nolan
Job Role: Musician, Guitar Teacher, Producer
I am a 26-year-old singer-songwriter, producer and guitar teacher. I am currently trying to make my name as a producer and songwriter, as these are the things I absolutely adore! I am also in a Synth/Dance band called K-ESTATE which is my main passion project.
Miranda Parker
Job Role: Technical Trainer/Director/Theatremaker at Factory Academy/Dare to Know Theatre
Co-founder and Artistic Director of Dare to Know Theatre, dedicated to bringing new writing and thought-provoking work to northern stages, committed to making work with and for the local community. A freelance director, specialising in new writing. An experienced teacher of the Performing and Production Arts in acting and theatre production.
Elliot Hughes
Elliot is a the Artistic Director of interactive theatre company Hidden Track – a company that since 2013 has been creating playful, provocative, political work which challenges narratives, champions the vulnerable, and rewrites the rules of theatre. As well as leading Hidden Track's pioneering work, Elliot is also a freelance creative.
Katy Egan-Daynes
Job Role: Programme Manager of Factory Academy
Areas of Knowledge: Project Management, education/facilitation, working with young people, identifying transferable skills, being a working parent, lived experience of neurodiversity, mental illness and chronic health conditions.
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WORKSHOP (6- 8:30PM, The Social)
Make a badge and grab a screen print with Josef Minta – an artist, poet and teacher working and living in Greater Manchester.
PERFORMANCES
Jennifer Reid Clog Dance
6.30–6.45pm, the Social Stage
Rooted in archives and oral histories, her work braids nineteenth-century music with the present: teaching, performing, researching, sharing, advocating and supporting spaces for memory and making in the tradition.
loney DJ
8–9PM, the Social Stage
loney is an experimental DJ/producer based in Manchester, expect boundary pushing post-genre blends.
Stalls (6–8pm, the Social)
Anti-profit arts & culture zine for the North West – worker co-op
Northern Youth Community, Print & Social Club
We’re a grass roots urban arts collective working with communities to help amplify marginalised voices
The national museum of democracy, telling the story of its development in Britain: past, present, and future.
Cat’s Mother is a not-for-profit female focused service that provides free, 30-minute meetings (in-person or online) between young emerging creatives aged 18-25 with professional women working in the music and creative industries. Our service is to support young women from low income backgrounds based in UK & Ireland.