Jill Mulleady wearing a silver outfit
Diego Maradona wearing a football shirt, running, smiling and clenching his fist
Art / Football 

About the artwork

Jill Mulleady draws on her personal memory of meeting Diego Maradona in Buenos Aires, where she grew up, to create a layered, dreamlike installation that resonates with one of football’s most controversial and mythologized moments – "La Mano de Dios" (the Hand of God). Scored during the 1986 World Cup quarter-final between Argentina and England, Maradona’s infamous goal became a national symbol, loaded with political and emotional meaning in the wake of the Malvinas/Falklands War.

Mulleady’s installation features a holographic illusion of Maradona singing Rodrigo’s iconic homage, "La Mano de Dios," alongside a painting that depicts a portrait of him in her signature dreamlike pictorial style. To create the holographic illusion, Mulleady first emulated the gestures of Diego Maradona. Her performance was then transformed through postproduction to embody the digitally generated body of Maradona. This seamless fusion of movement and technology crafted a captivating tribute, capturing not exactly himself but a memory, a portrait of the legendary player as he exists in the popular unconscious.

Mulleady’s paintings often feature ghostlike figures and spaces, charged with a sense of unease, timelessness, and emotional intensity. She has a recurring interest in doppelgängers. While the term often refers to two people who look alike, its origins are more complex – in paranormal thought, a doppelgänger is a ghostly double of a living person, whose presence signals the return of something from the past to haunt them. In this piece, Maradona is seen not only as a historical figure but as a presence that continues to haunt the present.

Using an early optical illusion method known as the Pepper’s Ghost technique, Maradona’s apparition is framed by painted glass, blurring the line between what is real and tangible and what is an image or memory. By referencing early photographic methods, Mulleady highlights how memories are shaped and how powerful images can be. The installation has a gothic sensibility, celebrating football’s relationship to cultural and social change and the figure of Maradona as a trickster – a symbol of divine mischief and mortal brilliance. It reflects Maradona’s spirit – a player whose genius came from breaking the rules and inventing his own. Mulleady taps into this rebellious creativity to suggest new ways of thinking, turning the piece into a symbol of transformation.

About the pairing

Diego Maradona

Diego Maradona was an Argentinian professional football player and manager. An advanced playmaker who operated in the classic number 10 position, Maradona's vision, passing, ball control, and dribbling skills were combined with his small stature, which gave him a low centre of gravity and allowed him to manoeuvre better than most other players. In addition to his creative abilities, he possessed an eye for goal and was known to be a free-kick specialist. Widely regarded as one of the greatest players in the history of the sport, he was one of the two joint winners of the FIFA Player of the 20th Century award, alongside Pelé. He played for Argentinos Juniors, Boca Juniors, Barcelona, Napoli, Sevilla and Newell's Old Boys during his club career, and is most famous for his time at Napoli where he won numerous accolades and led the club to their first Seria A title.

Jill Mulleady

Jill Mulleady was born in Montevideo, Uruguay. She is Swiss Uruguayan, based between Los Angeles, United States, Paris, France & Buenos Aires Argentina. Mulleady works primarily in painting and often intervenes in the spaces where she exhibits, staging the paintings with readymades, sculptures, and architectural installations, exploring themes of memory, transformation, and the power of history.  Her practice shifts between close observations of everyday reality and highly elaborated imaginary worlds. These paintings can be seen as allegories for the contemporary experience of the image as interface: not just representing a picture but a mean of mobilizing attention, bodies, affects, to connect emotionally and physically in an increasingly virtualized space.

Selected solo & group exhibitions include: Sant Andreas de Scaphis, Rome (2025); Schinkel Pavillon, Berlin (2024); Gladstone Gallery, New York (2022); Le Consortium, Dijon (2021); Made in LA 2020, Hammer Museum & Huntington Library & Botanical Gardens, San Marino (2020); Whitney Museum of American Art (2020); Swiss Institute, New York (2019); Galerie Neu, Berlin (2018); Schloss, Oslo (2018); Kunsthalle Bern (2017); and Museo Archeologico Nazionale, Naples (2015). In 2019 Mulleady’s work was included in May You Live in Interesting Times at the 58th Venice Biennale.

Football City, Art United.

Multiple floating soccer balls inside a green room with white goalpost markings on the walls. The perspective and reflections create an illusion of depth, making it appear as if the balls are suspended in mid-air.
Football meets art in this major new exhibition of brand-new works made in collaboration between legendary footballers and contemporary artists.
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