Factory International Fellows 2026
Meet the fellows
Introducing our Factory International 2026 Fellows!
We're delighted to welcome a range of creatives to work with us over the next year and beyond.
Get to know our wonderful fellows and their work below.
Brandon Hinds
“As an artist looking to move into producing my own events and larger-scale work, this opportunity has come at a crucial point in my creative career. I’m very keen to learn from the folks at Factory International, develop my own artistic practice and witness what makes Manchester such an exciting, multicultural and global city.”
bundy is a Manchester-based audiovisual live-coder, musician, producer, visual artist and photographer. As a songwriter and performer, bundy blends folk, grime and pop while using strudel, an open-source live-coding software. The music morphs from club-inspired hip-hop to introspective guitar-led ballads to eccentric experimental noise – sometimes all within a single set. These different elements are bound together by his earnest lyricism.
bundy’s visual output draws from his Caribbean heritage and traditional techniques including film photography, archival footage, collage and analogue video emulation.
Outside of performance, bundy runs workshops on his creative practice across Leeds, Manchester and Edinburgh, works in events as a stage manager and promoter, runs a Caribbean society at university, and often writes about topical issues and rising artists within the UK music scene. bundy’s long-term goal is to help create a safer, more inclusive and more multicultural music industry through widening access to music production and wider arts spaces.
Instagram / SoundCloud / Mastodon.
Finch Murphy
“This fellowship is an opportunity for me to learn from one of the world's leading arts organisations while staying rooted in the alternative queer community that shaped me. I truly believe some of the greatest performances you'll ever see are happening on Canal Street, and I want to use everything I gain through this experience not only to develop my own practice, but to create more opportunities for artists whose work deserves to be seen.
This isn't an opportunity I take lightly, and I'm ready to work harder than I've ever worked before and dive into it headfirst. I hope you support me and keep an eye out for what me and the other Fellows are able to achieve.”
Finch Murphy is an agender neuroqueer performance artist whose practice combines drag, clowning, endurance performance, cabaret, stage magic, spoken word, makeup artistry and movement. Starting out as a scare actor at Alton Towers, Finch developed a unique approach to drag. They most often work under the pseudonym PHØBIA, a genderless drag creature frequently found haunting Manchester's Canal Street.
Their work explores queerness, disability, psychosis, neurodivergence and their lived experience as a care leaver, using horror, humour and spectacle to transform deeply personal stories into immersive performances.
Grounded in their lived experience, Finch brings a punk, grassroots ethos to everything they create, often turning a trip to B&M into an entire wardrobe of costumes and props. They believe in creating opportunities, platforming other artists and proving that some of the best art is found in function rooms and black box theatres.
Finch is currently developing their debut theatre work, Mistoffelees, or the Fear of Magic – an autobiographical performance exploring their lifelong special interest in Cats the Musical and the ways in which fiction and reality blur in the midst of trauma.
Linda Wachaga
"Really looking forward to witnessing the decisions that shape large-scale productions whilst gaining a clearer understanding of where I see myself within these spaces. I’m also eager to collaborate with and share learnings and ideas with my cohort of Fellows, with the hope of bringing more perspectives and skills into future work!"
Linda Wachaga is a mixed media artist, emerging creative technologist and creative facilitator based in Oldham, working across Greater Manchester. Her practice explores identity, heritage and her questions about the future, often bringing together traditional and digital processes to create interactive experiences.
Linda’s work is informed by her curiosity on how technology can shape the ways we connect with art, place and one another, while considering the ethical and social implications of emerging technologies. She explores tools such as projection mapping, holograms and game engines to create work that moves between the physical and digital.
In 2022, Linda took part in Reframe: The Residency where her cohort developed an immersive climate exhibition that debuted at the Southbank Centre, with a director’s cut showcased at Aviva Studios.
She has since graduated with an MA in Immersive and Interactive Media Design from the Academy of Live Technology. She has also delivered workshops as part of HOME’s community engagement programmes, working with youth groups and schools to explore identity and develop youth voice through visual arts.
Parham Ghalamdar
“Taking part in the Factory International Fellowship is an opportunity to understand how my work can move from a gallery environment into live and cross-platform production. I’m excited to learn from Factory International’s producing knowledge and the other Fellows.”
Parham Ghalamdar is an Iranian-born artist based in the North of England, working across painting, ceramics, AI moving image, installation, writing and performance. His practice asks how images behave under the pressures of exile, war, climate collapse, technological distortion and political violence.
Recent projects include Aerotheology (2026) at Leeds Arts University and The Sight Is a Wound (2025) – an experimental short film that has received 50+ international screenings and honours, including the Honorary Award for Efforts in Social Filmmaking at Activists Without Borders Film Festival in Reading.
Ghalamdar is a 2026/27 Artistic Research Fellow at the Folger Shakespeare Library in Washington, DC, recipient of an Arts Council England Project Grant (2026-2027) and is publishing with POSTPOSTPOST Vol. II. His work is held in public collections including the Government Art Collection, University of Salford Art Collection and Leeds Arts University.
Randeep Assi
“I’m so utterly thrilled and honoured! This Fellowship arrives at a pivotal moment in my practice. I’m hoping this Fellowship will challenge me to think more ambitiously, deepen my artistic practice alongside a generous community of artists, and give me the confidence and tools to realise work on a much larger scale. A year ago I couldn’t have imagined being at this point. I’m so excited to see what will unfold.”
Randeep Assi is an interdisciplinary artist, creative producer, mother and founder of Brown Kuri Productions. She is endlessly fascinated by what we inherit – culturally, emotionally, spiritually and physically and how the body holds the stories we struggle to tell.
Working across live performance, installation, moving image, sound, writing and participatory practice, she explores themes of midlife, motherhood, shame, queerness, grief and belonging. Drawing from her lived experience as a British South Asian woman, she uncovers stories that resonate far beyond identity, searching for what is deeply human and universally felt.
Alongside raising her children as a single mother, Randeep has built a creative career spanning nearly two decades. She has toured with theatre companies, written for Oldham Coliseum and Peshkar Productions, and was selected for Kali Theatre’s Queer Writers Programme. She recently curated and produced the sold-out exhibition Letters to Our Mothers at Factory International and was awarded a two-day residency at HOME Arches to develop new interdisciplinary work. She continues to create ambitious projects that invite audiences to witness, question and reimagine the stories we carry within ourselves and one another.