洪千涵 Hung Chien-Han

Hung Chien-Han is a Taiwanese theatre director and artist whose work explores notions of loss, family, identity, mysticism and queer/gender identity across different time frames.

Recent works include Family Triangle (2024), Sibling Trilogy (2019-22), Three Produces Everything (2022), Grandmother Paradox (2020) and Family Romance (2019).

She is also a co-creator/co-founder of Co-Coism. Established in 2016, Co-coism promotes collective, site-responding, participatory performance and interdisciplinary practices, focusing on creating a flexible frame of relationship between the audience and the performers.

She was awarded Best Director at the Kanagawa Kamome Short Play Festival for Concrete Jungle and The Best Play of the Youth Competition at the 2015 WuZhen Theatre Festival for Ever Never.

Her artworks have been shown at the International Exhibition of Scenography and Theatre Architecture Prague Quadrennial, Bangkok International Performing Arts, Xi’an Drama Festival in China, Macau City Fringe Festival and the Museum of Contemporary Art in Taipei.

曾睿琁 Ray Tseng (Jui Hsuan Tseng)

Ray Tseng is a Taiwanese artist, whose work explores the relationship between light, space and time in theatre lighting design.

Establishing Ray Tseng Studio in 2021, Ray has toured space/light design works around international art festivals.

In 2022, Ray began experimenting with theatre. Recent works include [ Three produce everything ], Pichet Klunchun [ NO.60 ], Choy Ka Fai [ Yishun is Burning ] [ Unbearable Darkness ], Pichet Klunchun [ Cyber Subin ], Phitthaya Phaefuang (Sun) [ Realness : Luk Kreung ] [ Realness : Mae Baan ], Untitled Group [ Morphing ] [ Transition ] and Gewandhausorchester [ Mit dir Weiter ].

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