Arts Weekend MIF23
Meet the artists and creatives taking part in this year's Arts Weekend
Amy Lawrence
Amy Lawrence is a multidisciplinary artist and producer from Lancashire based in Glasgow, having recently moved from Manchester. They understand their creative and producing practice as all encompassing. Their practice finds its root in their own experience or need – with an experimental approach to storytelling as surreal and archival, visible in visual, performative and choreographic outcomes pointing at the institutional frameworks in place and at play. Their projects are jarring, layers of messiness, eating, performed situations and ironic interactions between space, body and object, and – in a series of interrelated projects –a patchwork social commentary on othering. Collaborative works with ensembles of people and bodies navigate lived experiences of performances of identity in layering and intentional glitches. This melts together in interventions, gatherings and collections prioritising conversation between bodies and ideas. Recent work includes HUNGRY GHOSTS (2021–2) commissioned by Compass Festival in Leeds – a series of sensory intimate events focusing in on Black Matriarchal Caribbean cooking and eating traditions via a performative supper club and an interactive vending machine.
Audrey Albert
Audrey Albert is a Mauritian-Chagossian visual artist and creative facilitator. Based in Manchester, Audrey’s research-led practice enables her to consider and investigate themes of mixed identity, collective memory and displacement. Her work Matter Out of Place was part of the Practise Till We Meet exhibition at the esea contemporary in Manchester earlier this year. Matter Out of Place is about hidden truths, concealment and forced displacement. It sheds light on an unfair and shameful page of Mauritian and British history in which the entire population of the Chagos Archipelago were forcefully displaced from their homeland due to political agendas between 1968 and 1973. Building narratives around specific artifacts and the Chagos Archipelago as an invisible location, Matter Out of Place draws attention to the aftermath of colonialism and the struggles of the Chagossian community.
Selected for the Future Fires 2020 programme at Contact and the 2021 Creative Fellowship for Manchester International Festival, Audrey is currently working on Chagossians of Manchester (CoM) and Ble Kouler Lakaz (Blue is the Colour of Home) – both socially-engaged art projects about Chagossian culture and heritage. Audrey’s work highlights stories of empowerment that celebrate Chagossian culture and heritage. Through these works, she pay homage to Chagossian ancestors, including her own, whose descendants are still affected by forceful displacement
Cheryl Martin
Cheryl Martin is Co-Artistic Director of Manchester’s black-led literature, Arts Council National Portfolio Organisation (NPO) Commonword and ACE-supported Black Gold Arts, which was nominated for a 2021 Manchester Culture Award and commissioned for Eurovision’s Cultural Festival. Cheryl was a former Associate Director of New Writing at Manchester’s Contact Theatre.
Selected for the 2019-2020 British Council Australia INTERSECT programme, Cheryl also directed The Walk: A Sleeping Child for MIF21, which launched giant puppet Little Amal’s journey. A Manchester Evening NewsTheatre Award winner as writer (Heart and Soul, Oldham Coliseum) and director (Iron by Rona Munro, Contact), Cheryl’s solo show Alaska featured in A Nation’s Theatre (2016), Summerhall Fringe (2019) and Wellcome Festival of Minds and Bodies in London (2019). Her first poetry collection Alaska was longlisted for the 2015 Polari Prize. Her film One Woman, an Unlimited Wellcome Collection Partnership Award ,toured festivals including the Unlimited Festival at the Southbank Centre, Barcelona’s L’Altre Festival, and Edinburgh’s Summerhall Digital Fringe (2021).
Cathy Crabb
Cathy Crabb is a playwright, poet and lyricist. She has written over 30 plays. Cathy's work has been performed at the National Theatre, Contact, HOME Manchester, the Royal Exchange and has toured nationally. In January, her play Am I Still Young?, written with her daughter Hazel Gibson, premiered at HOME. She was one of the writers of I Love You Too for MIF21.
MANDLA
mandla is a Zimbabwean-born writer and performer. mandla’s work draws on the artist’s intersectional existence. Using words as a medium, the artist is heavily concerned with communicating the many sensations associated with being a person with themes ranging from conversations about race, ‘decolonisation’, trauma, mental illness and queer/gender identity and expression.
HWA YOUNG JUNG
Hwa Young Jung is a multidisciplinary artist working in the arts, culture and sciences, facilitating collaborative projects and workshops. She works with people to co-create projects, often using games and play to explore social issues. Based in the North West of England, she has been producing work with a range of people (men on probation, care workers, young people excluded from mainstream education) in England and internationally for almost ten years.
Chanje Kunda
Chanje Kunda is a poet, performance artist and film maker. Her work explores 21st century life and aims to use art as a tool to transform lives, shift consciousness and bring joy to an otherwise serious and stressful modern existence. She predominately works as a solo artist creating content across the literary, theatre, live art and film sectors. She has presented work nationally and internationally, including at the Southbank Centre, the National Arts Festival of South Africa and the Harare International Festival of Arts in Zimbabwe. Solo theatre productions to date are Blue Black Sister (The Royal Exchange Theatre, 2009), Amsterdam (Contact, 2014), Superposition (The Lowry, 2017) and Plant Fetish (HOME, 2019). Other international representation includes selection by the British Council for IETM conferences in Romania (2017) and Croatia (2019). 2020 short films include Kintsugi Gold for DaDaFest, Toilet Roll Gate Retrospective for MIF and Victory is Yours for the Imperial War Museum.
Cherylee Houston
Cherylee Houston has played Izzy Armstrong in Coronation Street for the last thirteen years. She has had six seasons of Tinsel Girl, her memoir-based plays on BBC Radio 4. She is the founder of TripleC who run The Disabled Artists Networking Community (DANC) with over 1600 deaf, disabled and/or neurodivergent creatives. TripleC won the Bafta Special Award in 2022 at The Craft Awards for their work in disability and television. TripleC is dedicated to changing the way disabled people are included in and access the arts, ensuring the way we are reflected in the media impacts on the way disabled people are treated in society. Cherylee was awarded the Achievement of The Year Award at the Women in Film and Television Awards 2019 and more recently The Doubleday Award. Cherylee received an MBE in the New Year Honours List 2022 for services to disabled people and drama.
Chris Alton
Chris Alton is an artist and curator, based in Manchester. His practice spans a range of media and approaches including socially engaged projects, video essays, textile banners and publications. In 2012, he founded English Disco Lovers (EDL), an anti-fascist, pro-disco group. Other projects include Adam Speaks (With New Mouths) (2017), a neoclassical treehouse commissioned by the National Trust; What Mortals Henceforth Shall Our Power Adore (2020), a video essay that frames the trident as a symbol of colonial intent; and Grief Must Be Love with Nowhere to Go' (2021–present), an ongoing exploration of grief and language in collaboration with Emily Simpson. Each project addresses an array of interconnected social, political, economic and environmental concerns. He is also an active member of the Quaker community and a skateboarder.
Courtney Hayles
Courtney ‘CourtsWrites’ Hayles is a spoken word artist, poet, writer and multidisciplinary creative director who works mainly with musical poetry, movement, theatre and film to bring his stories to life. Following time in touring theatre as an actor, he moved into arts education and theatre production with a focus on developing ethical leadership in young people –especially those who, like himself, came from low socio-economic backgrounds. During this time, he honed his skills in playwriting, set design and artistic direction. With his recent work, he has become known for addressing difficult subjects such as toxic masculinity, black identity, trauma and family, inviting new perspectives and ways of thinking. Previous projects include Rage With Words (2020), Blinkcommissioned by Northern Voices as part of Manchester Collective (2021), Imprint as part of PUSH ARTS Festival (2019–21) and Sick!Cars for Sick! Festival (2022).
Jahday Ford
Born and raised on the Island of Bermuda, producer and visual designer Jahday Ford aka Obeka explores his native sound and rhythm, having transitioned into the Manchester club scene in 2016. Throughout his musical development, the Me Gusta Collective co-founder has blended native styles from Pan-African, Caribbean and Lusophone origins, which have become essential for manifesting polyrhythmic electronic beats and tempos with a mix of live and software-based drum recording. Obeka has ventured his sound in a multitude of UK cities and beyond the shores through Bologna, Brussels, Havana Cuba and Munich-based platforms. The Ghanaian Oroko Radio resident aims to expose and reconnect diversified people and cultures through his projects, radio and live events. His new MIF Sounds project intersects African and Latin expression with five artists in a collaborative piece. It unifies the sounds of these artists' environments and uses it as a tool to connect with local and international soundsystem cultures.
Mishka Henner
Mishka Henner is a visual artist born in Belgium and living in Manchester. His varied practice navigates through the digital terrain to focus on key subjects of cultural and geo-political interest. He often produces books, films, sound and photographic works that reflect on cultural and industrial infrastructures in a process involving extensive documentary research combined with the meticulous reconstruction of imagery from materials sourced online. His works are in public collections including Arts Council England, the Pompidou Centre, the Metropolitan Museum of Art, the National Gallery of Art in Washington DC, North Atlantic Treaty Organisation (NATO), MoMA Artists’ Books Collectionand the Bavarian State Library amongst others. His works have featured in survey shows at MoMA, the Metropolitan Museum of Art (New York), Victoria & Albert Museum (London), Pinakothek der Moderne (Munich), Hasselblad Foundation (Gothenburg), Ullens Center for Contemporary Art (Beijing), FOAM (Amsterdam) and Turner Contemporary (Margate).
Gemma Nash
Gemma Nash is a Manchester-based sound artist. She uses sound to reimagine stories about people, places and objects. Her pieces include spoken word narratives, drum and bass tracks, and eerie and seductive soundscapes using voice, synthesisers, DAWs and hacked controllers. As a disabled artist with cerebral palsy, she is particularly interested in exploring the way people experience, access, make and think about music and sound art.
Jova
Jova / yeguachita is a queer, neurodivergent musician from Abya Yala, bringing you tunes of all kinds – from hip hop to cumbia and vaporwave to psychedelia and andinoto house to ∞ – for the queers, the mentally ill, the global majority and their friends. they make music to fall in love to/to riot to/to heal to: punk spirit and soundtrack for the revolution ♡
Shirley Jamil
Shirley Jamil has recently re-discovered their passion for writing, photography and filming. They are excited to be discovering ways of sharing their thoughts and visions through the different mediums of arts. Together with son Sam Jamil, they have been commissioned as artists of Manchester Independents 2023, which they are really excited to be a part of.
Joshua Inyang (Space Afrika)
Joshua Inyang is a music producer, curator, international touring artist and radio host from Manchester performing under the alias of Space Afrika, working predominantly in the field of contemporary electronic music encompassing UK dance, ambient, alternative, trip-hop, pop, modern classical and experimental. Hinting at the maverick British spirit of Tricky, Burial and Dean Blunt, his work to date has received international acclaim from outlets such as Pitchfork, The Guardian, Libération and editorial placements in The Guardian, Resident Advisor, The Quietus, Mojo and Bandcamp as well as received heavy editorial features in respectable media outlets worldwide.
In 2021, the duo were nominated twice by DJ Mag for Best Live Act and Best Album and selected as The 15 Top Live Acts Of The Year 2022 by Mixmag, earned national radio play on BBC Radio 1 including Benji B, Gilles Peterson and Mary Anne Hobbs, and produced guest mixes on BBC Radio 1, BBC R6 and BBC 3’s Late Junction. In the US, continued chart support from five stations at NACC Top 200, as well as key spins from WFMU, SiriusXMU and KXCkI. In June 2020, they self-released their mixtape hybtwibt? (have you been through what I’ve been through?), generating over £12,500 for various black lives matter associated charities in a two-week period. This was a viral moment in terms of reach, exposure and strength of message. To this day, the release is recommended against almost any electronic release on Bandcamp. In spring 2021, we released Untitled (To Describe You) – a collaboration with photographer, filmmaker and poet Tibyan Mahawah Sanoh, generating what has been described as ‘a living, breathing study of the duo's Northern working-class Black British reality’. In January 2021, signing to Dais Records, they released their second album to critical acclaim. The duo now tour frequently, performing at art institutions, clubs, and festivals across Europe and overseas including the Barbican, MeeFactory, HKW Haus der Kulturen der Welt, Gladstone Gallery NYC, Lafayette Anticipations, Berghain and more.
Nasima Begum
Nasima Begum (aka Nasima Bee on stage) is a performance poet, producer, actor and creative practitioner. She’s a trustee for Manchester’s Young Identity – a collective of poets, dancers and musicians. Nasima uses art as a means of activism and her work is an exploration of the everyday through a personal lens that connects to its audience. Nasima writes about loss, the feminine and spirituality. Nasima champions community and is also the coordinator of Manchester-based charity Ananna – Manchester Bangladeshi Women’s Organisation (MBWO), which supports marginalised women through activities, volunteering opportunities and local policy change. Nasima is also a newly appointed patron for Contact theatre.
Nasima’s most notable works include performances with the Manchester Literature Festival, British Council’s BritLitBerlin conference and BBC’s Contains Strong Language. She has taught poetry with young people nationally and internationally through various projects. Nasima was one of five Greater Manchester recipients of the Jerwood Creative Fellowship with Manchester International Festival 2019 in which she observed ANU Productions The Anvil and was commissioned to write and record poetry for an installation piece as part of this. Most recently, she worked on an audio commission with New Creatives North entitled Salt (2021). This work is funded by BBC Arts and Arts Council England. Nasima has also released her first solo R & D in short film form titled fatihah – a poetic exploration of loss and losing as part of HOME’s Push Festival 2022. Nasima is currently researching and developing her first script, exploring what it means to be a British Muslim woman in the current political climate with the support of Factory International.
Vicky Clarke
Vicky Clarke is a sound and electronic media artist from Manchester, working with sound sculpture, DIY electronics and human-machine system. She explores our relationship to technology through sonic materiality, considering themes of human agency in autonomous systems, post-industrialisation, electrical phenomena and ritual, and the techno-emotional states we experience through these interactions. Winner of the Oram Award 2020 for innovation in music technology, her work takes the form of composition and live AV performance, DIY machines & sculpture, digital art and research.
For the past two years, she has been artist in residence at NOVARS – The University of Manchester, exploring the collision of musique concrete and machine learning in collaboration with PRiSM, Royal Northern College of Music, considering how neural networks and concrete materials can project future sonic realities. Her live AV piece AURA MACHINE premiered on the Fact Magazine Patch Notes series and was performed at the Science and Industry Museum. This area of specialism builds on her AI research trip to St Petersburg as selected artist for British Council’s UK-RUSSIA Year of Music. She is currently developing this work as a new live performance system, working with gestural sensors as part of a Cyborg Soloists commission. Vicky’s debut album SLEEPSTATES was released in 2022, described by Electronic Sound as a ‘stunning collection’ and a ‘glitchy experimental techno jerker’ by Boomkat. It was accompanied by net-art piece SLEEEPSTATES.NET. She has performed/exhibited at MUTEK, CTM, the National Science and Media Museum and Somerset House.
Jennifer Jackson
Jennifer Jackson is a Latinx Anglo-Bolivian theatre maker, movement director/choreographer and performer. Her work interrogates how women and girls use their bodies, and the complexities of living between cultures. Underpinning all her work is the interrogation of the ways that space is intimately bound up with power. Her practice encompasses theatre, dance, live art and the excitement of a sports spectacle. Her acclaimed work ENDURANCE was shortlisted for the prestigious Theatertreffen Stueckmarkt at Berliner Festpiele 2022. She is currently a Barbican Centre Open Lab Artist, where she is developing a new work, WRESTLELADSWRESTLE, drawing on her teenage career as a British Judo Champion.
Leo Mercer
Leo Mercer (he/him) is a Mancunian writer and theatre maker, combining music and storytelling with creative tech such as AI and VR. In a world of accelerating technology, he loves collaborating with people who share his fascination with what the future looks like. With his music theatre company leo&hyde, recent commissions include the National Theatre and The Lowry, and recent shows include The Coffee Shop Musical and VR-hybrid musical Double Life. Upcoming work: The Diary of Attica Lehane (with seed funding from GM Artists Hub) and The Ruins of Earth (commissioned by Manchester Independents). Outside of theatre, he works as a creative producer in virtual reality, including at the VR Museum of Plastic.
Louise Wallwein
Louise Wallwein MBE is a poet, playwright and lyricist. Her work has been performed on shorelines, the sea, the streets, on the wing of a WWII Shackleton aircraft, and in theatres across the UK and the globe. Her work is produced by BBC Radio 3 and 4, BBC 1, Contact, Red Ladder, National Theatre Wales, The Royal Exchange, Walk the Plank, BAC, Z Arts, HOME, Manchester Camerata, Psappha, BBC Philharmonic and MIF. Glue – her acclaimed, theatre-demolishing, one-woman show – is published by Smith|Doorstop. She works in communities, working with thousands of people to develop their voice. Her approach is fearless.
Griot Gabriel
Inspired by an array of orators such as Muhammed Ali, Malcolm X, and hip hop rapper Nas, poet Griot Gabriel has always been fascinated by the power of words.
Birthed in Peckham, (London) and raised in Longsight (Manchester) fused with Nigerian heritage, Griot Gabriel’s poetry is influenced by his upbringing in Black urban culture, exploring masculinity, political discourse, racial identity, experiences of inner-city young people, their challenges and relevant social issues. He is the founder of The Poetry Place, a company that provides a platform for new and established poets to perform.
Griot Gabriel has been commissioned to work with Warner Bro’s, Manchester International Festival, The Black Curriculum, BlackFest and Jason Reynolds.
Kao Hove
Kao Hove is a multi-disciplinary artist, who specialises in music, poetry and movement. Accessibility is a key value to their life and practice, so they aim to create a range of sensory outputs through their combined art forms. Also, Kao aims to bring support to others with access needs and was recently Access Assistant for Demi Nandhra, working on The Trauma Show.
Kao creates work around their lived experience including themes of disability, identity and mental health. Kao endeavours to create social impact through creating work that raises awareness and questions current issues. The community project they recently worked on Covid Curve with Young Identity is a poetic response from groups’ experience of the pandemic, including children, health workers and those bereaved.
Shahid Iqbal Khan
Shahid Iqbal Khan is an Offies-finalist and Olivier Award-nominated playwright published by Methuen Drama. His full-length stage plays are Stardust (Belgrade Theatre) and 10 Nights (Bush Theatre). On radio, he recently made his Afternoon Drama debut with Love Across The Ages (BBC Radio 4). Other works in his audio portfolio include shorts Bhavika, Night of the Living Flatpacks (both on community channels) and Brandlesholme (Sheltering) (BBC Radio 4).
In 2022, Shahid Iqbal Khan undertook an attachment residency with Graeae Theatre and Royal Court Theatre, working on a co-commission. He also has a seed commission with English Touring Theatre. He has been part of BBC Writersroom and Write To Play.
Joshie Harriette
Joshie Harriette is a dance and light creative. As an independent artist, Joshie choreographs exclusively with lights. Fascinated with the physicality, musicality and emotionality lights can embody. To much acclaim, Joshie created his version of The Rite of Spring The Lite of Spring choreographed solely with light, premiering at The Place as part of Resolution Dance Festival.
As a dancer, they have worked with choreographers: Michael Clark, Sir Richard Alston, Sir Matthew Bourne’s New Adventures, Ballet Black, Jose Agudo, Adam Linder and Christopher Williams. He has also modelled for Alexander McQueen, Diesel, Gucci, ASOS, COS, DQquared & BBC Arts.
As a self taught lighting designer, he has collaborated with Drew McOnie, Julia Cheng, Anthea Hamilton, Mark Baldwin OBE, Gary Clarke, Julie Cunningham, Sonny Nwachukwu, Clod Emsemble, Jose Agudo, Xnthony, Scarabeus Aerial Theatre, Magnus Westwell & Richard Chappell. Joshie is also resident lighting artist for queer club night's Mind Ur Head & Lazarus.
Joshie grew up in St Helens, being introduced to the arts through Elizabeth Hill School of Dance and Drama. Furthering his dance training at Rambert School of Ballet and Contemporary Dance, receiving a First Class Honours Degree. They also have a masters in Light in Performance with Rose Bruford.
Yandass Ndlovu
Yandass Ndlovu is Founder and Artistic Director of I M Pact collective.
Movement directing and choreographing credits include Pretty Shitty love (Theatre Clwyd), Bloody Elle, Astronauts, [M]others-Co:lab (Royal Exchange Theatre), Everything All Of The Time (Contact Theatre), The Walk: Little Amal (Manchester International Festival and Good Chance Theatre), VUKA (MCR Museum), Cryptomnesia (Future Ventures and ACE), See Me After (PUSH-HOME theatre), and Yandass.mov (Channel 4, Random Acts).
Acting credits include Electric Rosary, Macbeth, Our Town, Nothing (Royal Exchange Theatre, Manchester), Birth: Orchid & Syria (World Health Organisation, Geneva), Negging (Old Vic Theatre), Dead Certain (Hopemill Theatre) and Jubilee (Lyric Hammersmith).
Dance credits include Nike Air Shimmer (Size?), Alphabus (Manchester International Festival), FlexN Manchester (Old Granada Studios), Flexn Young Identity (Contact Theatre), Boy BlueElevate (HOME), Festival Number 6 (Portmeirion) and Through The Eye by Rachel Chinouriri.
Short film and television credits include Icaria (Nowness and MIF), Yandass.mov (Random Acts, Channel 4), The X Factor (dancer ITV), Run Boy Run and Yandass.mov (Random Acts, Channel 4).
Seren Corrigan
Seren Corrigan is a Manchester-based performance artist and maker/director, who makes interdisciplinary, predominately movement-based work. They use experience and training in Contemporary Circus and Physical Theatre (BA Hons Circomedia, Bristol) to expand the possibilities of space and gravity in performance. They work closely with music and musicians, celebrating that of the African diaspora from Calypso to Grime. They use culture to enrich their works, being drawn to the bold and beautiful characters they meet and have known –specifically among the marginalised or alternative communities they connect with. They are a founding member of NIAMOS Radical Arts centre in Hulme, working with many arts collectives and projects that have come out of the historic theatre. They enjoy creating innovative events, merging contrasting cultural styles and performance techniques to appeal to broader audiences. They are currently working on a project exploring Black feminist hauntology, Afrofuturism and mysticism in club culture, following on from their MA contemporary performance research at Manchester Metropolitan University.
Melanie Wilson
Melanie Wilson is an established UK-based multi-disciplinary performance maker, writer and composer. Her work foregrounds the live listening experience as a transformative act of connection, combining sound art, experimental forms ofc omposition, language and technology. Melanie has collaborated with artists and companies in the UK and Europe, across forms of theatre, film, opera and installation, including long-term composer collaborator with director Katie Mitchell on work for the National Theatre, Royal Court, Barbican and internationally.
Nickie Miles-Wildin
Nickie Miles-Wildin is a theatre, radio and TV director, who loves telling stories that are full of hope, connection, community and that challenge the structures of ordinary storytelling, reaching audiences that are sometimes excluded from theatre spaces and even stories. Her work challenges the preconceptions around disability and Nickie aims to put those narratives centre stage through her passion of new writing and devising. Nickie’s new adventure is Miles-Wildin & Ng Productions, creating space for underrepresented artists in the North West.
Richard Shields
‘I am undertaking a residency in my own life’ – Richard Shields.
Richard Shields is a multidisciplinary artist working across drawing, painting, sculpture, film and performance. His personal experiences are used in both allegorical narratives through theatre and film but also a series of multiples, forging fine art and ephemeral documents. Shields is a founding member of Paradise Works studios in Salford, he lives and works between Manchester and London, where he holds a studio in The Bomb Factory.
Princess Arinola Adegbit
B!TEZ or Princess Arinola Adegbite is a British Jamaican-born Nigerian singer-songwriter from Manchester. The songstress fuses jazz rap, alt pop and witty spoken word into her tracks. In 2022, Marco Sebastiano Alessi praised her as an ‘inventive polymath’. B!TEZ is also a multi-award winning poet, musician, voiceover artist, actress, filmmaker, Young Identity member, and BBC Words First artist. She is a winner of Slambassadors, BBC Words First 2020, Common Word Going Digital, Manchester Young Creative of The Year 2021, and the Castlefield Gallery Associates prize 2022. She is a Factory Sounds Alumni and Youth Music Next Generation Artist.
Porcelain Delaney
Porcelain Delaney is a disabled multidisciplinary artist and theatre maker focussed on access and inclusion. After years of working as a professional performer, Porcelain grew increasingly frustrated at the lack of characters and stories that represented her and those around her, so she pivoted her practice to share lesser told stories. Her main project at the minute is a solo play with embedded access – Toilet Paper Diaries. TPD is a critical and comedic look at life with chronic gynaecological disease and the gender inequalities in healthcare this reveals. TPD has received support from Arts Council England, DaDa Fest, Manchester Independents and Graeae. Porcelain's practice spans across acting, circus, sideshow, dance, performance art, literature and cabaret. She likes to combine different mediums to create unique experiences. Porcelain has recently had writing featured on the BBC.
Sam Malik
Sam Malik is a seasoned music executive with almost two decades of working in the industry as a producer, manager, agent and consultant. He has a lengthy track record of working with artists, bands, young people, studios, theatres, festivals, funders, arts organisations and the private sector. Sam is committed and passionate about making music accessible and impactful to creators and consumers. In recognition of his expertise and dedication, Sam sits on the boards for Greater Manchester Music Commission, Sound City Liverpool and MyHub Manchester Music. He is also on the European Music Business Task force where he represents Manchester music internationally.
Riley Bramley-Dymond
Riley Bramley-Dymond is a writer and director based in the north of England. In 2016, Riley was accepted into the Writing Squad, an organisation that funded his 2017 short film Ill-Fitting Shoes, and co-commissioned a 2017 short film with Hull City of Culture. His short film Profit was commissioned by the International Anthony Burgess Foundation. It went on screen at Film Hub North and BFI Network’s Northern Exposure event in March 2019, after which Riley went on to develop a short script with BFI Network's 2019 script lab. In 2022, he was accepted on to We Are Parable and Channel 4’s mentorship scheme Momentum. In the same year, he wrote and directed two short films: A Safe Place, The Walk Home premiered at Manchester Film Festival 2023and On Rest and Movement, an ambitious commission for the Hallé Orchestra.
Saf Elsenossi
Saf Elsenossi (SAF-S2E) is a Young Identity poet, performance artist and rapper based in Manchester. He has performed nationally and internationally. He is one of six finalists of BBC 1Xtra's, BBC Asian Network's and BBC Contain Strong Language's Words First talent development scheme and performed at BBC Contains Strong Language (2019). Saf has been part of Contact Young Company and as assistant director for Saturnalia. Saf's poetry is published in No Disclaimers: Volume One, Working from Home, Ecosystems of Fury and Use Words First. Manchester International Festival (MIF) commissioned him as part of their MIF Sounds initiative, supporting Saf to develop his music project and release an LP Ink Is Blood, which was featured at MIF21. His writing primarily explores themes of morality, mortality, divinity and identity.
Simon Jones
Simon Jones is a Manchester-based photography and moving image artist, who has received several national and international awards and prizes. Along with the continuing development and practice of personal projects, Simon is a contributor to Millennium Images, who are renowned through the world as a leading image library with a collection at the cutting edge of contemporary photography. Simon is regularly commissioned for socially engaged projects with communities across the country, involving animation and music outcomes. This work is within his role as part of the creative collective Harp And A Monkey, who in their own right as a folk and storytelling act, have toured extensively, received four star reviews in The Guardian and The Telegraph, and performed live on shows such as BBC Radio 2 Folk Show with Mark Radcliffe and Clare Balding's BBC Radio 2 show Good Morning Sun.
Susie MacMurray
Susie MacMurray is a British artist whose work includes drawing, sculpture and architectural installations. A former classical musician, she retrained as an artist, graduating with an MA in Fine Art in 2001. She lives in Manchester and has an international exhibition profile, showing in the US and Europe as well as in the UK. An engagement with materials and with the body is at the heart of MacMurray’s practice. Her role is one of an alchemist combining material, form and context in deceptively simple ways to stimulate both physical and cultural associations within those who encounter her work. Working in installation and sculpture, she has gained a reputation for poetic site-specific interventions in historic spaces. Her work typically references the history of a space and merges the particularities of that history, the specifics of the site, and the meanings of materials to gain insight and raise questions about the relationship between place and people. Susie is represented by Pangolin London.
Vince Atta
Vince Atta is a hip-hop stand-up comedian, writer and video maker from Manchester whose work leans strongly towards the mixed-race living experience in the UK. He is currently devising a musical based around his childhood in 1980s Moss Side. Expect dubwise, street soul and big, big basslines! He recently toured across Australia at the Perth and Adelaide comedy festivals. In Adelaide, he connected and collaborated with outstanding indigenous hip-hop artists Sonz of Serpent, culminating in a performance alongside them at the iconic WOMAD Adelaide festival. This organic and serendipitous connection sparked a crazy and ambitious plan between them all for a series of intercontinental hip-hop exchange workshops for young people both here and in Southern Australia. Watch this space! Domestically, Vince headlines most of the big clubs in the UK. He is involved in, and a constant champion of, the Alternative Black Comedy Showcase – a leftfield touring comedy show, birthed at the Edinburgh Comedy Festival, that give acts of colour a chance to shine in an arena that still offers limited opportunities for them.
Remi Adefeyisan
Born and raised in Manchester, Remi Adefeyisan is a Creative Producer with an extensive history of collaborating with people who come from a variety of backgrounds and disciplines. His work always seeks to reflect the lives of people from a multicultural urban background, pushing the boundaries that divide us while simultaneously making high quality work that will have a social impact.
He is an alumni of Stage One as one of their bursary winners. He has been awarded funding from Arts Council England, Home Manchester and the Princes’ Trust, and was a Jerwood Fellow with Manchester International Festival and an Old Vic 12 Producer.
He has put on shows at the Edinburgh Fringe Festival, Old Vic London, Royal Northern College of Music, Home Manchester, Liverpool Brouhaha Carnival and the University of Salford and many more.
Tanya Weekes
Tanya Weekes is a photographer from Manchester with over 10 years of experience running a photography business specialising in weddings and lifestyle portraits. She has been named as one of ‘40 Black Wedding Photographers You Need on Your Radar’ by the UK’s leading Wedding Blog Hitched. Her styled bridal shoots have been featured in various magazines and blogs as well as on industry covers. Recently, she took on the position of Co-Lead Tutor on the very first REFRAME programme, which is supported by Apple and produced by the Southbank Centre (the UK’s largest art institute) with Factory International and Midlands Art Centre. This role has involved being a photography facilitator and mentor to 24 Creatives aged 18-30. When she is not working, you’ll find her documenting her travels, adventures and getting creative with self-portraits. She looks forward to connecting with you in person and through socials.
Website / Instagram / Twitter / LinkedIn / TikTok / Facebook
Dan Daw
Dan Daw is the Artistic Director/CEO of Dan Daw Creative Projects. Dan Daw Creative Projects is a disabled-led company that works collaboratively with a growing network of companies and artists to develop and tour new performance work that blurs the divide between theatre and dance. Dan Daw Creative Projects have presented their work at British Dance Edition (UK), Swedish Performing Arts Biennale (SWE), Sydney Festival (AUS), Sophiensaele (DE), SoHo Playhouse (USA) and Sadler’s Wells (UK).
Dan’s work explores what it means for his queer, Crip body to occupy, and be unapologetic in, non-disabled spaces. He is interested in the function access, care, consent and interdependence has in those spaces.
Dan began working as a performer with Restless Dance Theatre (AUS) in 2002, and since then has gone on to work with Australian Dance Theatre (AUS), Force Majeure (AUS), FRONTLINEdance (UK), Scottish Dance Theatre (UK), balletLORENT (UK), Candoco Dance Company (UK), Skånes Dansteater (SWE) and National Theatre Scotland (UK).
Throughout his performance career, Dan has worked with Kat Worth, Garry Stewart, Kate Champion, Janet Smith, Adam Benjamin, Wendy Houstoun, Sarah Michelson, Rachid Ouramdane, Nigel Charnock, Matthias Sperling, Marc Brew, Claire Cunningham, Martin Forsberg, Carl Olof Berg, Charlotte Spencer and Javier de Frutos.
Working as Internationale Tanzmesse NRW Associate Curator (2021 – 2024), Associate Artistic Director of Candoco Dance Company (2021), Sadler’s Wells Summer University Artist (2015 – 2018) and Associate Director of Murmuration (2015 – 2022), Dan continues to work at the forefront of disability-led performance making and international performance programming.
AL and AL
AL and AL are the Creative Directors of a £39m cultural transformation of Haigh Hall, situated in the heart of the largest ancient woodland in Greater Manchester. The artist duo exhibit pioneering immersive installations, performance and visionary computer-generated storytelling internationally. Celebrated for their groundbreaking collaborations, AL and AL’s Black Hole space opera with American physicist Professor Brian Greene and composer Philip Glass performed in 42 opera houses around the world.
In every aspect, AL and AL explore the quest for equality, retelling stories from the past to shape new futures. This radical approach to redefining collective memories has most recently witnessed the duo collaborate with Wigan’s artistic community. First writing a cultural manifesto The Fire Within, the duo then transformed an empty shopping mall into an artist-centric social space for culture. In this reactivated public space, AL and AL reconnected hard-to-reach communities with the region’s flourishing creative communities.
Quarantine
Quarantine are based in Manchester and make and tour new work here and around the world. Perhaps Manchester’s best-known contemporary performance company, Quarantine celebrate their 25th birthday this year. They are currently touring their 12-hour durational piece 12 Last Songs – made with 30 local workers from the city in which it’s presented – and making a new intergenerational project The Questions.
'Quarantine are the quiet provocateurs of British theatre. Through a series of extraordinary productions, they have affected the way we think about the process of theatre making and changed our expectations of who will appear on stage.'
John McGrath, Artistic Director, Factory International
Raheel Khan
Raheel Khan was part of the MIF 2021 Creative Fellow cohort, exhibiting and performing at organisations such as Manchester Art Gallery, Southbank Centre, Whitechapel Gallery, Tramway Gallery and BBC Maida Vale. Originally studying Economics, Raheel has moved towards a practice that is concerned with the politics of transnationalism, geometry and abstraction through the lens of sound, material and light. In 2023, Raheel was the recipient of the Goldsmiths Lisson Gallery Scholarship, allowing him to study his MFA whilst working towards his first touring solo show.
Company Chameleon
Company Chameleon make original, inspiring dance theatre in Manchester, and perform across the UK and the world. Company Chameleon started when Anthony Missen and Kevin Edward Turner met at Trafford Youth Dance Theatre in the mid-1990s. Two ordinary lads from Manchester, they shared an ambition to dance professionally. After developing their talent at Trafford, they went on to train with the Northern School of Contemporary Dance and, after graduating, travelled and worked with some of the world’s most innovative dance companies and choreographers.
They came home in 2007 with the aim of setting up their own dance company – and Company Chameleon was born. Today, Company Chameleon tours internationally, staging over 50 indoor and outdoor performances every year. Wherever they perform, Company Chameleon lead a dance class or a workshop. As a result, they have introduced thousands of young people, from countries all over the world, to a different side of dance and movement. In 2019, Company Chameleon welcomed Dame Darcey Bussell on board as the company’s first ever Patron.